Sunday, September 5, 2021

Will Chess.com Save My Sanity?

Dear People I Like, Who Read My Writing: 

I am so very happy to report that I am back in the saddle, writing again for Poodles on the Roof after an eventful lapse of several years while the world fell apart and we all tried to maintain our sanity. Please stay tuned for the musings of an aging unicorn with purple pandemic hair who has not given up  on life, love and the goodness of other people. New (harmless) hobby: online chess. More later on this!

Please donate to help settle refugees from Afghanistan. Wear a mask. Eat blueberries. 

Friday, June 29, 2018

Heart Attack in the Career Lab


Yesterday at 10:30 in the morning, one of my adult students, 61, murmured that she was feeling nauseous.  Also, there was pain radiating down both her arms.  I asked if she might be having a heart attack. She has a background in health services, so I valued her opinion.

"Maybe," she said. "How's my color?"
"You look pretty pale," I said. "Gray, actually."

We quickly decided the best option was to call 911 and get her to a hospital as quickly as possible.
(This after another teacher in the next room vetoed my suggestion of bringing Ann via Lyft to the Emergency Room.  What was I thinking? New Yorkers think first of cabs, not ambulances.)

In less than 10 minutes, my room was overflowing with strong young emergency techs wielding iPads, aspirin, nitroglycerine, electrodes, a gurney......She was whisked down in the elevator and off to an unknown fate.  I made sure a large piece of paper with my cell phone number on it was in her purse.

Three hours later she called me from the hospital.

"I had a widowmaker! They reamed out 2 arteries, and put in 3 stents!"  She was laughing.
"But I could have died.  Thanks a lot."

I listened, shaking. She had called her brother in California, and she was arranging for her cats to be fed by a neighbor.  She'd be out of the hospital in 3 days. One of my favorite students, Ann is a cancer survivor with a dry sense of humor and a Master's degree who was in the last stages of applying for part-time work as a caretaker in a care facility for adults with intellectual challenges.  She was in the final stages of being approved for the job, and had an appointment to be fingerprinted in the afternoon.  I hoped to hell this incident didn't derail her chances.

Just another day at work.

Next up: helping the 16 year-old young woman who is 13 weeks pregnant and finishing her GED.
She needs a rudimentary Resume she can post to help her find babysitting or house cleaning jobs.  She's willing to work up to 9pm on weekdays and Saturdays and Sundays from 9am-7pm. Currently, she's living with a foster family and has a curfew.  She wants to go into nursing, to provide a good life for her baby.

America will be all right.  It's full of amazing people. They are keeping my spirit alive.
 I love my job.

Sunday, June 3, 2018

Trumptime

The question burning in my brain: what are my responsibilities as a human being in the time of Trump?
I'm reviving my blog, Poodles On The Roof, to explore this question.

Monday, June 30, 2014

The Novoir: Genius name for a new genre, or DOA?

So, one of my favorite subjects lately is the quite unnecessary flap about the difference between an autobiographical novel and a memoir.

A novel, based on some stuff that has happened to you but altered ON PURPOSE by you (for whatever reason) is a novel.  Fiction. Maybe even a roman a clef. (Ah, quaint term of yesteryear.)

It's NOT a memoir. A memoir, kids, is when you try to describe a part of your life in order to understand something about it.  ( It consists of  'information in search of illumination,' I heard Francine du Plessix Gray say (more or less) to Charlie Rose one night, and I loved that description.....  Her own hefty memoir about growing up with her beyond colorful Russian emigre parents is called Them.) You might "mistakenly remember" something in a memoir, but you really can't ethically do it on purpose (to increase your sales numbers or get a hotter agent).
Of course, no one remembers everything-or anything at all -with 100% accuracy. But you can try.  If you don't even want to try, write a frickin' novel!
Not that easy, is it?  Just because you get to make things up.... there're a few little things called narrative drive, and tone, and voice, and point of view....

An autobiography is your whole life....recollected at leisure.  Just because.  You can write a whole bunch of memoirs, maybe not so many autobiographies.  (And as many novels as your mental health will permit.)

Still with me?
Why do some people still want to call a messed-around-with memoir a memoir, when it isn't one anymore?
Because they don't want to do all the invisible, heartbreaking work fiction writers do EVERY DAY for (usually) essentially no money.  And perhaps memoirists don't really want to swim with the big kids, the novelists- they want to stay in the kiddie pool, splashing everyone.  Look at me!  I'm floating!!
(Anxiety of Influence, anyone?)

And because readers are such voyeurs these days, memoirs are often perceived to have more commercial potential. ( Don't get me wrong, I adore a well-crafted, honest memoir.*)

But maybe should we give these aspiring, anxious & lazy memoir writers a new genre to play with-
voila,  the novoir.  It has a ring to it, don't you think?  Solves so many problems.

When you are not honest & brave enough to write a moving memoir, and too lazy to write a novel-
just call it a novoir and you have covered all your bases!

Or not.

*********************************************************************************

*(My all-time favorite memoir just might be The Coldest Winter, by the brilliant Paula Fox. I dare you not to read it.)




Sunday, January 26, 2014

A Greenwich Village Girl Reflects on "Inside Llewyn Davis"

IN case you have been visiting another planet since November 2013, let me bring you up to date: the reality of global warming is still being debated by a few idiots, New York City has a dynamic new mayor (hooray), and the Coen brothers have birthed a new film, "Inside Llewyn
Davis," their idiosyncratic take on the burgeoning folk music scene in Greenwich Village in 1961.  Hooray?   Not so much.  Not from this born and raised Villager.

                                                        *                                *                                *

   There seems to be a wide disconnect in reactions to the film (a stunning 94% rating by critics on www.rottentomatoes.com, but only a 76% rating by viewers).  A reviewer I hugely respect, A.O. Scott of The NY Times, has practically made a full-time job out of his enthusiasm for the film.   To be so out of sync with someone whose taste I generally trust puzzles me. Could it possibly be because of my over-eager anticipation to see and hear a tale about the old Greenwich Village, replete with a stunning soundtrack and quirky characters, shot on location all over the streets of my childhood? 

    Rumors abounded for months before the film’s release.  I had previously seen and admired virtually all of the Coen oeuvre (some films several times); their skill, intelligence and dark humor have carved out a unique niche in the pantheon of American filmmakers.  Yet, I must have unconsciously hoped that their dystopian take on humanity and its foibles would be softened in their treatment of the unique scene that was the Village in 1961. 

    Like everyone else, I admired the gritty realism of the cinematography and set design.  That hallway in the fifth floor walk-up, barely the width of Llewyn’s shoulders!  The cigarette smoke, the sweaters! The garbage cans! 

    However, for me, the emotional zone of the film as occupied by Llewyn was essentially a numb center, occasionally enlivened by a blast of profanity from Jean.  She’s the supposedly meek and lyrical half of a folksinging duo who has cuckolded her partner by sleeping (and being impregnated) by our anti-hero, the sort of Dave Van Ronkish folksinger Llewyn Davis (get it? Wink, wink- a Welsh name, like that Dylan guy). Her one-note stridency depressed me and didn’t ring true for the period.  Is having 90% of Jean’s dialogue be four-letter words (actually, mainly one four-letter word) the only way to delineate her character’s despair and anger? 

   Now, it really doesn’t matter that I grew up in the ‘50s in the Village, and witnessed the emergence of the folk scene- the washtub & mop handle basses being plunked in the dry basin of the fountain in Washington Square Park, the feverish collecting of albums by Pete Seeger and the Weavers, and learning songs like  “If I Had A Hammer,” in our 5th grade music class. I wasn’t a true insider. But.   Seriously, Coen brothers?  This is your best shot?

    When I read the recent interview with the ex-wife of Dave van Ronk in The Village Voice, I felt that I was not so off the mark in my reactions.  She laments that this film completely misrepresented the spirit of that time, the joyous collective spirit of people making music (and not money!) for the love of it.  When a NY Times obit for beloved sandal maker and musician Alan Block (he died at 90 on Oct. 23, 2013) describes his shop in 1961, overflowing with musicians from all over the country, jamming ecstatically at all hours of the day and night- one really has to ask why would artists as talented as the Coen brothers make a film about this music scene that is so mean-spirited and flat, so shaggy-cat.  This was a lazy and  wasted opportunity.  Do we really care that much about the freakin’ authentic period ambiance and the smoky cafĂ© lighting and the vintage street signage? Are we that easily seduced?

    There is so much to say about the pain of not making it as an artist in America, and about the legions of those pilgrims to the Village who were left by the wayside, or committed suicide, or died in poverty.  Why did you choose to tell this story with an unsympathetic “hero” who sucks the life out of everything he touches, who never connects with us, or anyone else?

    With a little more effort you could have made a film that would have ripped the heart out of your audience.  We lined up, we bought our tickets, we were bursting with anticipation.  Why did you stay on the surface of your subject, tease us, insult us, bore us, disappoint us? 

      Because you are Ethan and Joel Cohen, and you can.  But shame on you, boys.

 

Jan. 27, 2014

Wednesday, May 8, 2013

Healthy, Fun and Firm

So, I'm taking out the package of frozen blueberries from the freezer, and I suddenly actually read the words on the package:

           BLUEBERRIES

      Healthy, Fun and Firm!


Seriously?  My blueberries are writing their eHarmony profile all of sudden?

Fun & firm?  Those are not qualities I want from my blueberries. 

How about

                          Blueberries- we're up to our ass in antioxidants!
or

                         Blueberries....
                                 just sayin'


Don Draper, where are you when we need you?

Tuesday, June 5, 2012

My Mother Moved to Florida and All I Got Was This Blogpost

(for Laramie)

So, here is my first letter from Paradise.

As I am preparing to  leave Manhattan, I give my new mailing address to the  Citibank teller:

"Moving  to Florida!"
I say happily.

"By choice?"  he says.

**********************************

Day 1    In my mailbox: Free prepaid cremations, courtesy of The Neptune Society.

Day 2    During my Sunday walk through the scruffy little urban park:  A signboard proclaiming "Free TAMPA RAYS vouchers  to all Blood Donors- today only."

Day 3    Passing a  racy low-slung silver Scion with West Virginia plates,  am startled to see a decal saying "As I Lay Dying" on the rear window.   A fellow  Faulkner fan?  Then I spy the "KISS" decal......just a metalcore fanatic.  Sigh.

Somehow all these  reminders of looming disaster, of death & dying, are weirdly invigorating.

Day 4   It's freakin' hot and humid. Again, I find myself taking the shortcut through the  little park.  Abandon Hope All Ye Who Enter Here.  I pick up my pace.

My spring-green canvas Adidas move quickly past the unshaven smokers slouching towards their tropical Bethlehems. 
The men poke hopefully into trash cans, postponing that status-lowering  trip to the Blood Bank.

"You take it easy now," an older black man says to me when I meet his eyes. "I will," I say.

Screw the Citibank teller and the horse he rode in on.

Ha ha Death, haven't caught me yet.  Down here it feels so good, it actually feels naughty, just being alive.

Tuesday, May 3, 2011

WHY NOT THIS PARADISE

I am happy to announce that I have started a new blog, which will be a place to post all the poems I have written over the years (some previously published, some not).

It is called
Why Not This Paradise

and it can be accessed at http://barbarariddle.blogspot.com/

I welcome your comments.

Monday, January 24, 2011

Is hope a wood stork?

Waiting for my bus, sitting on a bench in St. Petersburg, Florida.

Across the road, by the side of a pond, stands a grumpy-looking wood stork.
He is hunched into the unseasonable January chill. His large pink feet are hidden (but I know they are there). I feel drawn to him, his scary prehistoric beak, his stoic stillness.

He stands there, not quite waiting. He's got an atttude problem. Is that his weakness or his strength?

He is a teenage boy whose cell phone has just been confiscated by his English teacher.
He is a guy whose girlfriend has just dumped him outside a dive bar
on the Lower East Side at 3 a.m.
He is me, waiting for something Big to happen. (At my age!) Waiting for the bus,
in a new city, going to a new job, trying on a new life.

Sorry, Emily D, but Hope is not a small feathered bird, it is a huge wood stork with skinny pink feet, suddenly spreading its wings and scaring the fish right out of the water.

I board the bus and leave fear behind.

Wednesday, June 30, 2010

All Suffering Soon to End!

RECENTLY I was handed a small pamphlet, folded in triplicate, with a full color front page. I was with two British expat buddies, manning a table of assorted discards from our lives as part of an annual street sale in Greenwich Village.
Our goal was to clean out our closets, make a few bucks and enjoy ourselves under the broiling June sun, if possible. Suffering (on this day, anyway) was far from our minds.

Indeed, as the designer togs (a snappy Ralph Lauren military-style jacket, size 6), little porcelain pill boxes and brass candlestick holders changed hands, we grew more and more elated. This venture might actually be working. A quilted jacket I never wore (too boxy) was going to be a present for someone in the hospital; Gay's collection of lovingly broken-in Chanel heels was just the right size for a nurse from Queens. Maggie's odds and ends were being snapped up by other expat Brits only too happy to stop and chat with a live human being.

Out, out, past life!
Good-bye, crazy ex-husband!

And then: the Pamphlet, slipped into my hands by a shy woman who quickly melted into the crowd. I accepted it politely and only really looked at when I got home that night, bearing the Victorian card table I had purchased from Gay when I saw she wasn't going to get a decent offer. (Never mind that I used up essentially all my day's proceeds on it.) Admiring my find, I brushed off the only slightly damaged green felt surface and set it up to accomodate an overflow of books and papers in my little studio sublet.

Emptying my pockets, I found .....the Pamphlet.

ALL SUFFERING SOON TO END! the cover illustration proclaims in large black typeface, over a rendering of an attractive caramel-colored couple in their early 30's, sitting in the middle of a field of yellowing grass, on which a male and female moose are grazing just a few yards away. A large log cabin in the background is partially obscured by pine trees, and snow-covered mountains march into the far distance. On close inspection, on the right-hand side of the scene, a woman with long blonde hair on a white horse is galloping towards the couple, who are calmly smiling at me, showing off their perfect teeth. (Perhaps the blonde is going to warn them they are sitting dangerously close to the huge male moose? Or, Sara-Palin-esquely tell them to get the hell off her farm? Is that a rifle strapped to her saddle?)

Maple trees framing the scene have burst into flaming scarlet, and there are baskets of pumpkins and apples in the foreground. It seems to be October in a bizarre Vermont, except that the couple are wearing light summer clothes, and look too happy for people soon to be expecting winter frosts. (Not to mention the dearth of Hale Berry and Harry Belafonte look-alikes in Vermont.) I turn the document to the back page, and yes, if I need more information I can write to the Jehovah's Witnesses at the following locations: Australia, Barbados, Britain, Canada, Ghana, Hawaii, India, Ireland, Jamaica, Kenya, Malaysia, Nigeria, Philippines, Rep of, South Africa, Trinidad AND Tobago, Rep. of, and also the USA (in Brooklyn!).

My guess is that the Jehovah's Witnesses in these locations know a smidge about suffering. (They don't seem to have an office in Paris, for example.)

And so I realize that the surrealistic Paradise depicted in such quirky detail is an all-purpose one, designed to elicit longings and emotion from denizens around the globe. A wise use of limited marketing funds.

And it's good news, for sure. I'm in. There seems to me absolutely no downside to the end of suffering. The sooner the better, I say.

Bring It On.

Tuesday, March 23, 2010

Marry Me Rat

Sometimes you chance upon a random morsel whose concise perfection leaves you almost breathless. So complete in its implications you must bow in respect.

This afternoon, taking in the first warm March sunshine on a brief escape to St. Petersburg, Florida, I left the scenic harbor pathways and was traversing the more gritty environs closer to where I was staying. My foot paused just I was about to step on a large heart scratched into the cement sidewalk, and I read the heartfelt command inscribed therein:

Marry Me Rat.

Which of us has not been there? And why do we instantly know the scrawler is female?

And why do we hope that the union did not take place? That she is now a sophomore somewhere, sitting up late into the night, reading Emily Dickinson or Dave Eggars, or inventing a solar battery that will fly 747's on perfume and air?

Alas, I fear not.

Did you Marry Her, Rat?

Saturday, February 13, 2010

Everything U Always Wanted to Know About Sex (on the L train)

So it's a few days before Valentine's Day and I am riding on the L train on the way home, minding my own business (not really, I am eavesdropping as usual....Note to Self: look up origin of "eavesdropping") when I spy a young woman across the aisle from me, sitting down, with a HUGE stuffed animal on her lap. I am talking the size of a St. Bernard puppy.....and she is ostentatiously reading a hardback copy (with torn dust jacket, circa 1971) of Dr. David Reuben's best seller, "Everything You Always Wanted to Know About Sex (but were afraid to ask)". Now, she looks at first glance about 12, and I am thinking she swiped this book from her grandmother's library of dusty tomes from the Seventies. But she is wearing eye make-up, and chipped black nail polish. On second glance she looks closer to 30. An unkempt 30, to be sure.

Everyone once in a while she snickers, or grins or laughs out loud. She catches me staring, and flashes a bemused smile. I suddenly think that maybe she is a Brooklyn performance artist, testing out the reaction of numbed subway riders to her whole Gestalt. I mean, her peers are Tweeting and texting and hooking up, and she's reading a hard-back copy of Dr. Reuben? And that stuffed animal essentially takes up three seats, it's on her lap, but it poofs out on both sides of her and practically hides her face.
When I get home, I check out Dr. Reuben on Amazon. The last person who viewed his book also viewed "Contact" by Carl Sagan, about the possibilities of extraterrestrial life....you get the picture. Not the hippest fanbase.
But we probably all owe Dr. Reuben an effusive thank you for writing the right book at the right time....... (Maybe even our very existences....) So. Thank you.
But, really, thank YOU, Stuffed Animal Girl, for adding mystery and humor to my soggy, day-after-the-almost-blizzard-of-2010 subway ride on a late February afternoon. I hope you get an agent.

Saturday, August 22, 2009

Two Italian Boys

First, I don't know for sure they are Italian. Or how old they are. They could be 15, they could be 25.

But I thought I recognized a certain Italian fierceness in the way his mother walked ahead of him as he lagged behind, that first boy. It was on the corner of Sixth Ave and West 8th, near Go Sushi, and I had seen them before. (I might have glanced quickly away, in pity.) This time I really looked.
His mother had a head of perfectly curled and blow-dried gray hair and she was about 5'2" in her stocking feet; compact of body, in a belted black dress and sensible walking shoes. She was leaning forward, at a tilt, as she towed her son through the waves of summer heat that roiled up from the sticky asphalt. He, not in any kind of hurry, let his too-large head dangle this way and that as he surveyed the crowd, his protruding eyeballs taking in everything he would never get to eat or drink or touch or kiss. His body had more angles than I could count at a glance- crooked back, twisted hips, knees knocking together. He shambled behind her, fierce tugboat that she was, secure in the knowledge that she was taking him someplace safe and known. Which she was. She truly was. He was her son, and she would take care of him if it killed her. I felt a sudden stab of envy for their bond. This was unconditional love, right in the dead center of Greenwich Village.
The second boy/man I spotted a few days later, in the early evening. I was returning slowly home along West 4th Street, thinking of nothing at all, when they rushed past, the dark-haired boy and his companion, who seemed to be his sister. It was only a glimpse, but I almost fainted. His complexion was a perfect pale porcelain, his features like a Greek statue's. He was laughing at something he had just said, looking back to his companion, and his thick dark hair was plastered back like an actor in a Bertolucci film set in the 1920's. He seemed unaware of his otherworldly beauty in his animation; he wasn't posing for anyone. But as I passed on, I wondered: Quasimodo boy, or Bertolucci boy: who will suffer more in this life?
Which one will be told he has been loved for himself, for who he is, and actually believe it?
Or, even better- just know, without needing to be told.

Wednesday, August 12, 2009

Dog Days in NYC or Zen and the Art of Fridge Defrosting

Okay, I said to myself yesterday, it's time to man-up and....defrost the icebox, the under-the-counter half-size object we so gaily refer to as "the refrigerator," evoking visions of a vast Eurostyle appliance, a Sub-zero thingie (why does anyone need something colder than zero degrees? ) bursting with organic watercress and runny French cheeses.... Mais non, ma petite fridge (as we so lovingly call her chez nous) she is full only of 7 kinds of moutarde and 3 or so varieties of berry jam, as well as some VERY ancienne unsalted butter. All of which will survive lack of refrigeration for 24 hours. (And anyway a little mold is good for you once in a while, n'est-ce pas?)

So here's my (soon to be patented) technique:
1- Turn off freezer control. Take a deep breath. Do not turn back now. Commit.
2- Jam clean bath towel into iced-over freezer compartment. (Trust me.)
3- Put large plastic bowl (on top of protective layer of garbage bags) against fridge to protect the charmingly warped oak floors from becoming more charming.
4- Put end of towel neatly into plastic bowl so melting water runs from freezer along towel to bowl. (Osmosis, don'cha know.)
5- Pour self a glass of wine (color optional).
6- Occasionally wring out towel. Surf Web. Watch Jon Stewart on YouTube.
7. Take bath.
8- Repeat 5, 6 and 7 until asleep or otherwise immobile.

If you are an AMATEUR in a HURRY, you can speed things up by using a hair dryer.

But WHY?

Slow down, cowgirl. Enjoy.

Savor the (drippy) hours. It's summer in New York City.

Sunday, May 24, 2009

Poodles Goes All Spiritual On You

I've been working hard lately, trying to bring to fruition a creative project. This has meant isolation from friends, late nights, bad food, tons of self-doubt....To try to pull myself back to some semblance of a healthy center I treated myself to a yoga workshop on a recent Friday night. I felt so good afterwards that I lingered at the yoga center's bookshop, reluctant to return to my self-imposed domestic pressure chamber.

My gaze fell upon a book by Jack Kornfield, "After the Ecstasy, the Laundry"- which was exactly what I needed, when I needed it. I have been reading it steadily and slowly since that night, reluctant to come to the end. It is the only book on the pursuit of spirituality/wholeness I have ever read that manages to quote the writers Rumi, Emily Dickinson and Rilke, Helen Keller and Albert Camus...and make all their ideas and thoughts seem like one seamless whole.

It would be foolish to attempt to oversimplify or summarize this powerful book, but I will include one of my favorite quotes here. When I first read it, I almost literally heard the chime of a bell ringing a true note:

A man's life is nothing but an extended trek through the detours of art to recapture those one or two moments when his heart first opened.

Albert Camus


I am hoping I will finish my writing project with a deeper understanding, less ego, and more compassion for myself and others. Most importantly, I want to continue on the path this book has given me signposts to follow. I believe I will be able to.

And all the best roads lead home, don't they?

Thursday, March 5, 2009

A Journalist? Moi?

Happily, the answer is yes- sort of. The monthly neighborhood newspaper called WestView ("the new voice of the West Village") has invited me to be a columnist, and is publishing my saga of growing up in Greenwich Village in a series of regular columns. It's called "Sex and Sinclair Lewis: Tales From A Greenwich Village Girlhood" and so far my work has appeared in their February issue, and currently can be read online in their March issue under my nom de plume, Barbara Riddle.
You can find it at westviewnews.org
I couldn't be happier- their main readership lives on the very streets, alleys and mews (mewses?) that I roamed as a 7- to 12-year-old, glorying in the wild freedom we had before cell phones could track kids 24/7.

Of course, such an adolescence is not generic to West Villagers.....I just happened to have had the good fortune to land here. Oddly, we kids actually knew at the time that we were living in the best of all possible (American)worlds. I totally missed out on that suburban-anomie-alienation thing, and didn't have a clue about the adult misery described in "The Feminine Mystique", since my mom had always worked and enjoyed it. No alcohol-soaked bridge games for her. (Although she could expound at length on unreliable younger-actor-boyfriend woes....)

The other night at a dinner gathering, we went around the table citing favorite movies. I mentioned "400 Blows" by Francois Truffaut- any readers out there have special films dealing with adolescence they'd like to mention? I also adore
"A Thousand Clowns", with Jason Robards. If you haven't seen it, rent it NOW. It is more timely than ever.

Friday, December 19, 2008

A Slushy New York Night With Campbell Scott

So if you're a Manhattanite & you can't get any friends to see a play called The Atheist (by Irish-born Ronan Noone), what do you do? You buckle up and go by yourself. Even if there's a foot of slush everywhere between you and the theater.
Criminy, where else in America can you actually WALK to see a play & actor of this quality? It's not even a fifteen-minute walk to get there from my apartment, and most of the sidewalks are clear even if the corners require strategic leaping and feinting through deep icy mush.

Campbell, you may not know it, but you and I have a date. Lookin' good, I think, hair just the right length & fake shade of red, blue eyes peeping over my new scarf with the blue and mustard circle pattern...The play is caustic & biting, a tale of a journalist gone bad (in search of his mother's love?), not searingly original but I love the telegraphic language & musical phrasing, and Campbell Scott is brilliant. Infused with energy I drift home, wishing I could discuss it over a pint with someone.
I pass the faux army surplus Marc Jacobs store on Bleecker Street and see that there are people shopping (wtf??) at 10 pm at night. Yikes. Further on, I enter a deli to buy seltzer to mix with my pomegranate juice at home. A very wet & cold Irish wolfhound puppy befriends me as his owner buys peanut butter. His wagging tail endangers the potato chip racks for 3 feet all around. I swear the dog is smiling. Do we deserve such good will from the animal kingdom?

"Be careful, don't fall...stay warm," says the Pakistani store owner as he carefully gives me my one cent change from the three dollars I handed him. As I push open the door the Guatemalan man wrapping roses in the little tented foyer just beside the entrance looks up and smiles at me. "Have a good night," he says. "You too," I mumble. (Yeah, right. He is going to be standing there in the cold for a few more hours long after I am home in bed.)
A block from my apartment, I pass the nursing home and see that an old woman is being wheeled out on a gurney by two ET's, into an ambulance. She is wearing an oxygen mask and her naked body is barely covered by a white bedsheet. One of the ET's tries to cover her shoulder, but the sheet keeps slipping off to reveal her pale, cold flesh. They don't have an extra blanket to spare? I am wearing a down jacket, scarf & gloves and she is practically naked in the middle of the street.

Just another night in the big city, eh, boys and girls? My emotions are swirling and I can't feel my feet anymore. Or maybe it's my heart that's numb. I keep walking. Should I have taken off my jacket and put it over the ailing woman? She was almost inside the ambulance....

I arrive home finally, and am soon secure in the warm cocoon of my pre-Campbell Scott existence. Was it as good for him as it was for me?

Somehow, I don't think he's going to call me in the morning.

Saturday, November 8, 2008

Oh Joy: November 4, 2008

Oh personal joy....

New York joy....

American joy....

Japanese, Egyptian, French, Swedish, Australian, Polish, African joy....

Global joy....

Celestial joy....

Saturday, October 18, 2008

Here Tell Your Anguish

Fall is a time of melancholy reflection in New England, and the 2008 election season has put many of us over the top, obsessing over the possibility that our candidate, the young man who offers us healing and hope, will be vanquished by the old forces of fear and greed. What can one do besides give money and time to his campaign? Not having formal ties to any external belief system, praying is just not an option for me.

Lately it has become almost impossible to think about anything else. So much is at stake. Correction: EVERYTHING we care about is at stake. In my opinion, this is nothing less than a referendum on our understanding of what it is to be human. I was beginning to bore and irritate my friends with my outbursts. (As in, "Yes, Nader is a great man, I respect his accomplishments, but he's not friggin' ever going to be President and if he siphons off enough votes to wreck this for the Democrats you and all his misguided supporters will be partly to blame for untold suffering and maybe the end of the world..." You see what I mean. I was getting a little worked up. )

So I decided to escape from New York City to the Gulf coast of Florida for a week, to see if a change of scenery would calm me down. My plan was to do some writing, walk, bike and swim, watch the last Obama/McCain debate with friends and return refreshed and feisty.

In a city where most drive, even short distances, I had the sidewalks mostly to myself and the anoles, tiny dinosaur-shaped lizards who constantly dart like rush hour commuters between bushes and across the pavement, somehow projecting an air of cameraderie. (Or maybe it's just their Manhattan energy that I like...)

The third time I passed the window of the Christian Science Reading Room in downtown St. Petersburg, I paused and allowed my gaze to fully rest on the sign in the window. (Ah, the advantages of being on foot when all the world is otherwise whizzing by.) The first two times I had noticed it and hurried on, self-conscious to be seen reading religious slogans in the window of a storefront "church."

Droplets of sweat trickling down my back, a strange feeling of peace invaded my body. "Here Tell Your Anguish"- the sign wasn't promising to fix me, it was just assuming that to be human is both to feel anguish and also the need to "tell" it.

A devout agnostic/humanitarian, I found those words and that thought powerful and comforting. They had a hypnotic cadence that was mystifying to me. There was an intriguing mind behind those words.

Returning home, I simply typed them into Google Search, and Eureka! the author appeared to be Charles Lamb (1775-1834), renowned English essayist. (I'm telling you, essays rule.)
And if anyone has the right to expound on anguish, it's Mr. Lamb: his beloved older sister killed their mother in a fit of temporary insanity, and he took care of his sister the rest of his life. His novella of unrequited love ("Rosamund Gray") is now on my must-read list. (Note: in several other Google entries, the quote is also attributed to Thomas Moore, in the hymn, "Come Ye Disconsolate". But I am still happy I was first sent to Charles Lamb.)

There was more gold in my first excursion: a whole series of references to the appearance of "anguish" in quotes from various writers. Here's a killer:

"The beauty of the world has two edges, one of laughter, one of anguish, cutting the heart asunder."
Virginia Woolf, from "A Room of One's Own"

Words were beginning to soothe me.
To some problems, there are no solutions, divine or otherwise.

But to put our feelings into words- that makes us fully human. Our unique task, and our unique privilege.

To finish, I offer a cherished quote from a tattered piece of newsprint (brown with age) that I carry in my wallet-
it's taken from a poem by W.H. Auden, who manages to stumble his way to the sublime more often than not:

"Time that is intolerant
Of the brave and innocent,
And indifferent in a week
To a beautiful physique,
Worships language and forgives
Everyone by whom it lives."


Is this thought comforting?
Yes.

Mission accomplished.

Saturday, October 11, 2008

When It's Time To Bid Your Contractor Adieu

Ruptures are painful. There is the temptation to assign blame; there is the also not very helpful tendency, if you are me, to look for the fault not in my stars, but in myself. Always a possibility- but it shouldn't be a foregone conclusion!
What if a sequence of unrelated simultaneous events just becomes too much for two individuals to juggle, and a fragile connection implodes, and it's nobody's fault, but everyone's loss?
No, I am not talking about a marriage- but almost: my recent falling out with my trusted local contractor. I am sad about it, but in going over it here I hope perhaps a reader may benefit, and I will achieve some clarity (and catharsis).

Let's call him Dermott. His crew had painted my little 1860's farmhouse in upstate New York, and he replaced the rotting wooden steps with a gracious brick and flagstone veranda that he and I designed together.
He supervised the arrival and setting up of the Amish-built storage shed/barn, painting it to match the house and putting up a low flagstone wall around it that melded it seamlessly into the landscape and historial ambiance of the sleepy hamlet that was once a cluster of modest housing for workers near the local train station.

It's now become a retreat for, among others, crazed New Yorkers seeking a peaceful respite from their urban pursuits.

In all cases, I followed my recipe for avoiding last-minute confusion: get the bid for the work in writing, pay 1/3 up front, 1/3 when the job is half-done, and the remainder on satisfactory completion. If the person is an unknown quantity, ask for references, and get 2 other bids. (Usually you don't want to take the highest or the lowest bid.) You should never have to tell a bitter tale of "I paid them the whole amount in cash on the first day and never saw anyone again"- that really doesn't need to happen.
So, I left in Dermott's hands the installation of a new clawfoot tub and tiling of two bathroom floors while I was away visiting family in Sweden during the summer. I had the bid in writing, I ordered the tub myself on the Internet (from a Kentucky outfit) and Dermott was all set to take delivery and get to work while I was gone. His crew had free rein of my house for an entire month.
A few e-mails exchanged while I was away let me know it had become "the job from Hell"- the old plumbing was in such bad shape that a lot more had to be done before the tub could be installed and everything would not be done when I returned. I believed this, as I had to trust Dermott or my world would start becoming shaky.

It's a quirky house, with small rooms and steep stairs, and not easy to work in. This I knew. Everytime they turned around, some new small problem had caused delays. I asked him how much extra I owed him for the problems encountered and when he gave me a figure, I actually added $300 to it because I felt he was undercharging me! It seems to me we were both feeling guilty (and angry)- the perfect codependent situation. Neither wanted the other to be mad. We already were, and weren't admitting it. A recipe for a blow-up.

When I first returned, it was clear it would be weeks before the job was done, as his crew now had other commitments to install heating systems, etc. for other people and my job was no longer a priority. I tried to be understanding. People were coming and going for a few hours at a time; the house reeked of paint and spackle and I woke with headaches. Sometimes people scheduled to come did not show up at all.
Some small problems unrelated to the remodel came up and I asked Dermott to either recommend a handyman, or let me know how much extra I would owe if his crew could take care of the issues. He said they could do it, no problem. (Examples: installing a rubber draft guard at the bottom of an irregular basement door that was allowing musty air to seep into kitchen from basement; wrapping air conditioners with covers for the winter.)

Finally: At 10:30 pm one evening in late September (the job was originally scheduled to be finished in late July) I arrived from Manhattan on foot from the train station, in the dark. My back door was wide open.

Without thinking, I called Dermott immediately and asked him who had last been at my house. He wasn't sure. "Maybe Mike?"
I told him that from then on, only he was authorized to come & go because he was the only one I completely trusted to be careful. Dermott said he could not guarantee that. "Okay," I said, "in that case, we're done. Please return all my keys. I'll have someone else finish up the last details. Let me know if I owe you anything."

"Fine," he said, "we're sick of coming to your house. Maybe you should never have left Manhattan. And anyway, I lost money on that job."

I am relieved but mostly sad. Undoubtedly the tensions of the external world- the growing acrimony of the 2008 electoral process & the unsettling turmoil on Wall Street- played a role in the disintegration of my working relationship with Dermott. Obsessive mental re-playing of our e-mails and conversations still does not help me ascertain what I might have done differently. And I seriously doubt the rupture can be repaired.
Although I don't know Dermott's political leanings, I think what happened is in many respects a microcosm of the culture wars that McCain and Palin have been trying to inflame once again. Taunting me to "go back to Manhattan" reminded me of the "America- Love It or Leave It" bumper stickers of the late Sixties. It was not a good memory.

It's complicated and a bit scary, being a single female homeowner in America. I am going to have to hunt down that portable drill I bought two years ago and do a little less writing and a little more recharging of my batteries (literal and metaphorical) if I am ever going to get all the artwork and mirrors back up on the newly plastered walls- and my ego patched up as well.

At least I don't have to hire a divorce lawyer. Been there, done that.

Adieu, Dermott. I still love my front steps.